Showing posts with label Keith Evans. Show all posts
Showing posts with label Keith Evans. Show all posts

Monday, July 21, 2008

TOUR: California (Southbound Leg)

BAY AREA, Second Pass


Jymn, Ruby, Jay, Jeph

We enjoyed a solid couple days of down-time, powwowing with Jay's old clan from Kalamazoo, who have almost all relocated to the Bay Area over the years. We were a slow-moving, cheery organism, relaxing with only a few cultural objectives in our sights as we partook of awesome meals, went for various drives and walks, and hung-out with the amazing Ruby child.

We hit the SFMOMA for In Collaboration: Early Works from the Media Arts Collection. Highlights were: Steina's "Violin Power," Chris Burden's "Documentation of Selected Works 1971-74," Vito Acconci's "Home Movies," and a Doug Hall closed-circuit installation.


Kubick in his studio with Jay




a subject of Kubick's steady research




Keith Evans, Chris Kubick, Jay, and Anne Walsh

Keith Evans joined us and Chris Kubick for our gig at 21 Grand. He laid out a hybrid contraption of moving objects and small film projections, aimed a video camera at them and projected that image large, on the walls, while conjuring ambient sounds, captivating the audience deeply in his enchanted spell. I experienced that same magic a few years back when his collaborative, silt, came to the University of Michigan and Ann Arbor Film Festival for their last performances and exhibition project before one of their members moved to Europe. Sounds like he and the other California-based member Jeff Warrin may try something out together again soon. I hope so.




LA, Second Pass


Robert Martin, Donna, Jay, and elray at the Getty

We spent a morning at the Getty with fellow displaced-Detroiters Robert Martin and his wife Donna, checking out the California Video exhibition. Robert left Wayne State University to be the chair of the California State University/LA Department of Art around the same time I left Ann Arbor for San Antonio, and he also works with moving image and sound in performance. I met him through my old comrade Julie Meitz, who had been his student, when she invited the both of us to vj with her at Movement/the Detroit Electronic Music Fesitval in 2005. It was a real treat to get to spend a little time together again.

Memorable work from the California Video show includes early B/W Tony Oursler; a 5-channel Diana Thater digital video installation and a Bruce Nauman closed-circuit installation.


Our Materials & Applications show was great close out to the tour.


view from atop the module, the mobile cinema on the sidewalk below.

Giacomo Castagnola brought his mobile cinema, the ABCmobile, from Tijuana. We had fun making new friends and seeing old ones.


The Lady Didier in charge at M&A, with the Lil' Piunisher at her side.


Claire Didier and Jay inside Jimenez Lai's Phalanstery Module




THE RIDE HOME

The longest delay of our entire train journey was pulling into the station in San Antonio. We waited for over an hour sitting about 100 yards from the platform. I didn’t mind.